Luigi Martinati
Pupil of the Florentine Academy of Fine Arts, he immediately devoted himself to illustration advertising, drawing, between 1923 and 1941, posters of various subjects (commercial advertising, tourism, etc. for events.). He worked in Rome serving as artistic director dell'IGAP (General Billboard Advertising Company), which also collaborated with Dudovich and Nizzoli. After the war he left the advertising industry to devote himself exclusively to the program of cinema. With Anselmo Ballester and Alfredo Capitani created the BCM study from which came many movie posters in a distinctly realist.
(Source: AA.VV., Catalog Bolaffi Manifesto Italian, Giulio Bolaffi Editore, Turin 1995)
Juarez
1939
Juarez
1939
Dark Victory
1939
Dodge City
1939
Wuthering Heights
1939
The Oklahoma Kid
1939
The Sisters
1938
Four's a Crowd
1938
Over the Wall
1938
Jezebel
1938
À Venise, une nuit
1937
Parijse zeden
1937
Dead End
1937
Between Two Women
1937
Captains Courageous
1937
Jump for Glory
1937
Cain and Mabel
1936
Cain and Mabel
1936
Anthony Adverse
1936
Bullets or Ballots
1936
The Walking Dead
1936
The Petrified Forest
1936
Ave Maria
1936
Captain Blood
1935
Captain Blood
1935
Episode
1935
'G' Men
1935
Bordertown
1935
Massacre
1934
The World Changes
1933