Luigi Martinati
Pupil of the Florentine Academy of Fine Arts, he immediately devoted himself to illustration advertising, drawing, between 1923 and 1941, posters of various subjects (commercial advertising, tourism, etc. for events.). He worked in Rome serving as artistic director dell'IGAP (General Billboard Advertising Company), which also collaborated with Dudovich and Nizzoli. After the war he left the advertising industry to devote himself exclusively to the program of cinema. With Anselmo Ballester and Alfredo Capitani created the BCM study from which came many movie posters in a distinctly realist.
(Source: AA.VV., Catalog Bolaffi Manifesto Italian, Giulio Bolaffi Editore, Turin 1995)
Air Force
1943
Münchhausen
1943
Münchhausen
1943
Casablanca
1943
Casablanca
1943
Casablanca
1943
Casablanca
1943
Gentleman Jim
1942
Desperate Journey
1942
The Big Shot
1942
The Big Shot
1942
Larceny, Inc.
1942
Larceny, Inc.
1942
To Be or Not to Be
1942
Il leone di Damasco
1942
La scuola dei timidi
1941
La scuola dei timidi
1941
Escuadrilla
1941
Law of the Tropics
1941
La corona di ferro
1941
Manpower
1941
L'ultimo ballo
1941
U-Boote westwärts!
1941
The Sea Wolf
1941
Luchteskader Lützow
1941
High Sierra
1941
The Letter
1940
The Letter
1940
South of Suez
1940
The Mark of Zorro
1940
City for Conquest
1940
Virginia City
1940
Castle on the Hudson
1940
The Spy in Black
1939
Frontier Marshal
1939
Juarez
1939