Luigi Martinati
Pupil of the Florentine Academy of Fine Arts, he immediately devoted himself to illustration advertising, drawing, between 1923 and 1941, posters of various subjects (commercial advertising, tourism, etc. for events.). He worked in Rome serving as artistic director dell'IGAP (General Billboard Advertising Company), which also collaborated with Dudovich and Nizzoli. After the war he left the advertising industry to devote himself exclusively to the program of cinema. With Anselmo Ballester and Alfredo Capitani created the BCM study from which came many movie posters in a distinctly realist.
(Source: AA.VV., Catalog Bolaffi Manifesto Italian, Giulio Bolaffi Editore, Turin 1995)
Cheyenne
1947
Stallion Road
1947
Pursued
1947
Pursued
1947
Nora Prentiss
1947
Nora Prentiss
1947
Humoresque
1947
The Verdict
1946
The Verdict
1946
Never Say Goodbye
1946
Deception
1946
Cloak and Dagger
1946
The Big Sleep
1946
The Big Sleep
1946
Of Human Bondage
1946
SciusciĆ
1946
Three Strangers
1946
My Reputation
1946
San Antonio
1945
Saratoga Trunk
1945
Confidential Agent
1945
Confidential Agent
1945
Mildred Pierce
1945
Rhapsody in Blue
1945
Conflict
1945
Escape in the Desert
1945
God Is My Co-Pilot
1945
God Is My Co-Pilot
1945
The Corn Is Green
1945
The Corn Is Green
1945
Hotel Berlin
1945
Objective, Burma!
1945
To Have and Have Not
1945
To Have and Have Not
1945
Uncertain Glory
1944
Passage to Marseille
1944
Raduga
1944
Destination Tokyo
1943
Destination Tokyo
1943
The Desert Song
1943
Old Acquaintance
1943
Northern Pursuit
1943
Northern Pursuit
1943
Destroyer
1943
The Constant Nymph
1943
Edge of Darkness
1943