Luigi Martinati
Pupil of the Florentine Academy of Fine Arts, he immediately devoted himself to illustration advertising, drawing, between 1923 and 1941, posters of various subjects (commercial advertising, tourism, etc. for events.). He worked in Rome serving as artistic director dell'IGAP (General Billboard Advertising Company), which also collaborated with Dudovich and Nizzoli. After the war he left the advertising industry to devote himself exclusively to the program of cinema. With Anselmo Ballester and Alfredo Capitani created the BCM study from which came many movie posters in a distinctly realist.
(Source: AA.VV., Catalog Bolaffi Manifesto Italian, Giulio Bolaffi Editore, Turin 1995)
Dallas
1950
Dallas
1950
Breakthrough
1950
Rocky Mountain
1950
The Breaking Point
1950
The Breaking Point
1950
Bright Leaf
1950
The Damned Don't Cry
1950
Barricade
1950
Stage Fright
1950
Backfire
1950
Backfire
1950
Malaya
1949
Beyond the Forest
1949
The Hasty Heart
1949
The Hasty Heart
1949
White Heat
1949
White Heat
1949
Task Force
1949
The Fountainhead
1949
Colorado Territory
1949
The Younger Brothers
1949
Flamingo Road
1949
Whiplash
1948
June Bride
1948
To the Victor
1948
Johnny Belinda
1948
Key Largo
1948
Key Largo
1948
Silver River
1948
The Woman in White
1948
The Woman in White
1948
Rope
1948
Rope
1948
That Hagen Girl
1947
The Unsuspected
1947
Dark Passage
1947
The Unfaithful
1947